Showing posts with label Christian ethics. Show all posts
Showing posts with label Christian ethics. Show all posts

Friday, August 7, 2020

Book Review: Holy Troublemakers & Unconventional Saints By Daneen Akers (Watchfire Media, 2019)




A joyful and necessary resource for progressives
            
This book is such a joy!  I don’t have kids of my own, but it was easy to return to the 10-year-old I was and find the pleasures in Daneen Akers’s ambitious reference book for young people.  In the world where I grew up in the 70s, there was of course no Google; there were books.  My family weren’t readers, but I was, and someone always arranged that books would come my way.  Two sets of encyclopedias lived in our house by the time I was born (purchased a month at a time by mail-order, I bet! But I never asked), and an array of educational books: one of dog breeds and one of horse breeds, complete with illustrated stickers to match to the right reference page; a shiny hardcover Readers Digest “omnibus” about everything interesting, from how to start a campfire to different kinds of clouds and how plumbing works.  I loved those books, immersed myself in their magical, glittering understandings of the world outside my little working class neighbourhood.

            Holy Troublemakers and Unconventional Saints is that kind of book, for a new era.  The author arranges her subjects alphabetically, rather than thematically, which is most appropriate – the lives of many of these un-conservative and un-conventional spiritual travellers encompass several overlapping themes, as do all of our lives.  Illustrated by soulful, joyous portraits, most of them are women, including trans women; many are clergy who moved from conservative faith communities to progressive and inclusive ones, with all the vocational trials that entails.  The LGBTQ community is beautifully represented here; politics and civil disobedience are part of many stories.  So too is sacrifice, and the costs of being true to oneself and to one’s love of God, often in opposition to one’s family traditions.  There are many names for God recognized here, as well, and representatives of a spectrum of communities, from global Indigenous to Buddhist, Muslim, Jewish, and of course a significant cohort of progressive Christian traditions.

            Some of my favourite Holy Troublemakers are here: Harriet Tubman, Mr. Rogers, Thich Nhat Hanh, Kaitlin Curtice, Rachel Held Evans, even Francis of Assisi.  But more thrilling was the discovery of so many activists, called through faith, to agitate for the concrete needs and spiritual dignity of their people – however “their people” might be construed.  For a quick sense of the tone and scope of this volume, parents might simply skim the helpful glossary at the back.  Two examples: 
            Conservative: A person who tends to like things the way they are or the way they have historically been; conservatives work to limit political, theological, and social change.
            Womanist/Womanism: …  Black Feminism that listens for the perspectives of the people in texts who often are overlooked or unheard, usually the voices of women, enslaved people, and children.
            

I’m grateful for those congregations, many for which I preach, that teach and pray to an inclusive, welcoming God, One who rejoices and weeps with us on the messy human journey.  Yet there are also curious kids whose spiritual formation isn’t taking place in a faith community – and what’s more, who are surrounded by shallow and polarized media blather about “religious” people.  As parents and spiritual leaders -- where to find alternative narratives about the faith-filled, humane work we know to be going on all over the world for justice and neighbourliness?  Holy Troublemakers and Unconventional Saints is a brilliant start.

            In our current secular culture that too often mocks or caricatures religion, Akers’s lovely book is a light in the darkness for kids’ questions about religion and faithful practice. And I will attest, it also proves a balm for us confused and weary adults.  

Disclosure of Material Connection: I received this book free from the author and/or publisher through the Speakeasy blogging book review network. I was not required to write a positive review. The opinions expressed are my own. 
#HolyTroublemakers 

Sunday, June 7, 2009

WE GET TO CARRY EACH OTHER




Kris Allen has my vote … for the classiest man of faith on prime-time television.


Oh yeah, he won that Fox TV talent thing last month? Yeah, that one. But the real drama, the storyline that put some reality in “reality” TV for once, was and is his new friendship with the runner-up, Adam Lambert. The understated Mr. Allen probably wasn’t looking to change the world when he auditioned for American Idol – he apparently wasn’t even looking to win, God bless him – but I think he and Adam together will deserve some credit for having altered the cultural landscape. I’m well aware that the lion’s share of press has gone to Adam Lambert, not to mention the stratospheric numbers he’s generated on Google. Yet, if Kris hadn’t played the part he did, Adam’s story would have been quite different. And not nearly so powerful.

Adam Lambert is completely magnetic, and not only because of his astounding voice. He has charisma, he has star power; and he has what many "stars" do not: manners. Grace. Thoughtfulness. And did anyone else mention he's as beautiful as a screen goddess (hair and makeup by The Cure)? Oh, you probably noticed that.
I had never watched an American Idol episode in my life. But one of my Fave Fab Females started sending me cryptic notes and pictures: "You have to see this guy. Click here, and here, and here...And oh, wait ‘til you hear him sing 'Brigadoon!' " 'Scuse me, Brigadoon? Sure, and there's internet footage of Adam in an elegant suit, singing The Prayer at the Yitzhak Rabin Tribute concert; there's him upstaging Val Kilmer in The Ten Commandments; there's some extraordinary clips of him vamping some hard-rock burlesque surrounded by dancers of various sexes and persuasions... the boy is clearly a club creature, openly glam, proudly theatrical, but also well-trained and a serious professional.


So he struts into American Idol's carefully contrived world, and apparently blows it apart, one sector at a time.

Week after week, he kept showing up and wowing his audience, and probably drawing in more and more people like me, who otherwise would never watch. I don't know what American Idol usually looks like, but it was pretty thrilling by ANY standards to see the likes of Glambert in full-throated sex-machine howl on Whole Lotta Love -- and props to the band who also rode it hard -- in American prime time.
Yet, at the end of every Idol performance, he steps out of his hellcat prowl (or purr) and instantaneously becomes the boy next door. He's articulate and self-aware, shrewd about his career but spontaneous enough to gush about the cool outfits he gets to wear for work. The world is his oyster now, and he will be one to watch for the next few years (especially once he's off the Idol leash, after this year's tour).


Adam is a compelling personality because he appears so completely at ease in his own skin -- and in this world. He knows what he's good at; he knows what he has to work at, he's educated about his medium. His confidence -- however hard-won it might have been -- is ... well, kind of infectious. He treats everyone with respect and puts people at ease. In a word, he is likeable. Flamboyant, theatrical, goth, guyliner and all, he is genuinely likeable.
But he is more than just "nice." So much more. He doesn't speak in spiritualized terms, but he does speak with disciplined positivity and, I dare say, a certain sense of mission about acceptance and inclusion of difference. Given a new and vast platform, he's using it to encourage parents to applaud and support their children who are a little "different," who want to be creative. Send them to dance class, give them vocal training. "Artists are a little bit special, they need the support," he says.


Now, the (pink) elephant in the room is nudging me to mention the difference that all of America is talking about, and it ain't about practicing scales. But Adam has been more honest than any of the speculators or gossips, because all of us know of some poor boy who was taunted and tormented and called "gay," NOT because he yet had any carnal inclinations at all, but simply because he was different. Adam's is the most relevant message we could hope for, because he refuses to let anyone be reduced to labels and be filed coldly in some moralistic category.
And he may just be the most effective messenger we could want, a goth boy of the demi-monde who is perfectly comfortable with Middle America (read: American Idol); but one who respects that audience enough to offer them "something maybe they didn't know they wanted." Creativity is his message, more than cultural disruption. He isn’t Marilyn Manson – he wants not to bludgeon his audience, but to woo them.

But none of that fully explains why he's on my blog.
It’s true that audacious creativity and originality and self-awareness like Adam's does alone merit spiritual reflection. The creative process is a deeply spiritual process, even in those who would never call it that. So I'm not presuming anything about Adam's beliefs.
I do think he’s an old soul. Yet, prudently he has no pretensions to Deep Thoughts or Political Statements (in public), he says he just wants to sing, and be judged on his art. Of course he’s more sophisticated than that, and he knows full well that asking to be judged for his art alone IS his political statement.


Countless commentators wanted the Idol competition to be about more than just singing. With Danny Gokey rounding out the Top Three, many wanted to make it a tally of endorsements for, oh, shall we call it “lifestyles?” You know, Danny (and likewise Kris, the dark horse bringing up the rear), the card-carrying Christian versus Adam the flamboyant one who hasn’t said he’s gay.
Let us pause to decode that snapshot of American pop culture. In social shorthand, those characterizations imply juxtapositions, i.e. a Christian can’t be flamboyant, and the one who “looks gay” can’t (or wouldn’t) be Christian; or, the one is restrained, temperate, and “good,” the other is … not. (Alternatively, the one is open, creative, and "good" -- while the other is not!)
Whatever. Moving on now, to real three-dimensional people, and the reason Adam Lambert and Kris Allen are important to our spiritual health.

Now, it is American Idol after all, folks: it is a popularity contest. And in the end, maybe the guyliner was a little more than America could stomach in its new American idol. But the punchline in this story is that it wasn’t squeaky-clean Danny whose votes ousted Adam. The showdown finale was between Kris and Adam – tagged respectively, Christian and flamboyant, yes, but demolishing the rules of American hit television by refusing to stay in their boxes.

I know next to nothing about Kris Allen’s non-musical life, except that he’s married, he calls himself Christian and he’s done missionary work across the world. I heard about the exchanges among the other contestants that made reference to what is supposedly “godly” and right in relationships, but Kris’s name wasn’t part of that. I don’t know what kind of Christianity he practises, or how he envisions his God. I do know this: he declares himself Christian to the television audience – i.e. to the world; and he freely, publicly, verbally, and especially non-verbally, loves Adam Lambert like a brother.

The blogosphere of Idol fans --"prolific" hardly suffices -- have dedicated millions of keystrokes to the warm relationship between Adam and Kris.
I needn't reiterate what everyone from Rickey.org to the New York Times and Ryan Seacrest have had to say about the contrasts between the two men. There’s the obvious: LA glamboy, Arkansas country boy; but also their personalities could not be more distinct. Kris was self-effacing even in his moment of triumph, while Adam was eating the Idol soundstage for lunch with Feelin' Good and Whole Lotta Love. Meanwhile they were assigned as roommates in the mansion midway through the season, and they obviously clicked.
They’ve both spoken freely about becoming friends, and joked publicly about their differences. Online fans have dubbed their relationship a "bromance," which is charming and maybe not inaccurate; nonetheless it is flip and much shallower than the bond that is apparent between them.
In an interview the day after the finale, Adam departed from the usual breezy soundbytes required of him to emphasize what he felt was most important about the competition -- that the friendship and respect between himself and Kris might be an example for others in transcending difference, for the reward of becoming enriched by it. Both of them become animated when they talk about how much their new friendship has meant to them. Still, their words never exceed generalities.


But pictures do.


One blogger dedicated a whole .jpg- and .gif-stuffed page to the story of the “bromance,” which brings together all the images (collated from a hundred other sources online) that speak more eloquently than any interview. Kris really isn’t much of a talker anyway, and Adam is nothing if not deliberate and professional in his public comments. But body language is like soul-talk, direct and poetic. Certainly between Adam and Kris, it has been.

Watching them together, both before and after the results, we saw no wariness or distance between them (compared with, say, Danny’s cold, take-no-prisoners duet with Kris). And heck, didja see those hugs?? Sure, there’s a lot of hugging on Idol, and I take most of it as genuine: the 5 months of competition are grueling, especially for the finalists, and I’m sure many of them feel a bit like comrades-in-arms. Certainly Kris and Adam must have felt like that.

But their physical way with each other is more than social or circumstantial.


And let me make this abundantly, loudly, perfectly clear: I AM NOT TALKING ABOUT ROMANTIC ATTRACTION. Kris obviously loves his adoring wife, and Adam is quite capable of feeling platonic love for other men, hey, just like regular folks. So let my words not be misconstrued in any way, shape or form. End of Disclaimer.


A brilliant (and hilariously insane) male blogger from the equally brilliant website Television Without Pity summed up the sub-cultural tremors we are feeling this way: And if that's the choice that America's handing us -- the choice between these two men who are soft, but manage to be anything but weak, and are the only two out of the whole Top Twelve you could say that about -- that's the best news I've heard in a long, long time.



Say amen, brother. It’s joyously evident that Kris has no qualms whatsoever about his trust in Adam, or about the message he’s sending to viewers. When they hugged, they hugged for real – there was none of the typical back-slapping not-too-close! hugs between men in public. To pick just one, there’s a telling moment in front of the press corps immediately after Kris’ win. Adam is patiently doing his post-episode 10-minute Q&A beside the Fox logo, when Kris comes around the corner into camera range and nearly tackles Adam with a broadside bear-hug. It’s spontaneous, genuine, and affectionate, for the world to see.


They’ve had each other’s backs. They’ve learned from each other, and they’ve advocated for each other. With and for each other they are respectful and generous. Open. Trusting. And loving.
Adam Lambert could not be happier for his friend, Kris Allen, American Idol 2009. And Kris Allen admires and celebrates the extraordinary gifts of his larger-than-life friend, Adam Lambert.


Kris Allen is my kind of Christian.